CLIMAT ET ATMOSPHERES
Today, we are experiencing climate change. Relaying humanity's eternal obsession with the Apocalypse and the end of time, all sorts of prophecies and theories are coming to light, from the most heartening to the most devastating. It is tempting to express these visions, as if to conjure the torment ahead. "The gift of Death is that all we have left to do is die", said Nietzsche. And, as Beauty seems inseparable from the Universe, a certain harmony falls into place, and new landscapes appear. It has come to pass and the survivors contemplate the new Creation in the hope of a fertile dawn… What could be entitled An Aesthetic of the Coming Catastrophe is in fact a timeworn tale. Cataclysms have shaped our history and geography in a ballet of slow or rapid mutation, causing the extinction of some species, triggering the generation of others. This is why vestiges of destruction, erosion, and disappearance often appear here as witnesses to these upheavals.
La main qui frappe est aussi la main qui sauve 2024
80/80 edition of 7 (+ 1 AP)
105/105 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Espoir 2011
75/100 edition of 8 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Dérives 2016
Tryptic 163/225 edition of 3
80/115 edition of 5 (+ 1 AP)
105/145 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Fragiles 2016
Tryptic 205/300 single edition
Tryptic 157/230 edition of 3 (+ 1 AP)
105/154 edition of 5 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Panorama 2020
Dyptic 150/220 edition of 3
105/155 edition of 7 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Tu es Nous 2015
80/80 edition of 7 (+ 1 AP)
105/105 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Ultime limite 2015
80/80 edition of 7 (+ 1 AP)
105/105 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
La vague 2011
175/175 edition of 3
80/80 edition of 5
105/105 edition of 5 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Exit 2024
80/80 edition of 7 (+ 1 AP)
105/105 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Abandon 2018
80/80 edition of 7 (+ 1 AP)
105/105 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Cool stream 2019
Dyptic 150/187 single edition
80/100 edition of 7 (+ 1 AP)
105/130 edition of 3 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso
Eloge du froid 2012
80/93 edition of 5 (+ 1 AP)
105/122 edition of 5 (+ 1 AP)
Archival pigment photograph mounted between plexiglass and aluminium or antireflective glass
Signed, title, dated, and numbered on verso